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Connie is a vibrant yellow hormone monster with long, flowing, and luscious hair and tawny brown body with fur that covers her chest, arms, legs and bottom. She has two horns on her head and large ears on the sides. Her eyes are various shades of blue. [3] She has a large nose with massive pronounced nostrils that sit above her broad mouth.
The style required that the hair were combed back around the sides of the head. The teeth edge of a comb was then used to define a central parting flowing from the crown to the nape at the back of the head, resembling, to many, the rear end of a duck. The hair on the top front of the head was usually that of a pompadour.
Discomforts of an Epicure, 1787 (image 27 x 20 cm, in mat 43 x 33 cm) [1]. This is a descriptive list of erotic etchings and drawings by Thomas Rowlandson, based upon the research of Henry Spencer Ashbee published in his three-volume bibliography of curious and uncommon books: Index Librorum Prohibitorum (1877), Centuria Librorum Absconditorum (1879) and Catena Librorum Tacendorum (1885).
The [[and the first | must be on the same line; other spaces and line breaks are ignored if they are next to | characters or just inside the brackets. Some parts of the image syntax, such as the alt= , do not allow spaces or line breaks, and the easiest way to get it right is to omit unnecessary spaces and line breaks.
Let it grow! Sarah Silverman talks about her experience dealing with body hair — from her unibrow to her mustache to her hairy arms — in The Sarah Silverman Podcast, which the star posted to ...
Gardevoir stands 5 ft 3 in (160 cm) tall and appears as a slender, bipedal creature with red eyes and a mostly white body, save for its green arms and shoulders. The green hair atop its head extends behind its neck and ends in an angled point between its eyes, right above its mouth, while white spiked protrusions extend from the sides of its face.
The top of the headdress is decorated with the clawed foot of a bird of prey. [126] Either straps or plaits of hair descend on either side of the face, from the headdress to the base of the monument. Only one earspool survives; it is flat, in the form of a rounded square, and is decorated with a cross motif. [125]
The three goddesses are shown nude, huddled together, their heads almost touching in what many have referred to as an 'erotically charged' piece. They stand, leaning slightly inward — perhaps discussing a common issue, or simply enjoying their closeness. Their hair-styles are similar, braided and held atop their heads in a knot.
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