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Though bagpipes are closely associated with Scotland, the instrument (or, more precisely, family of instruments) is found throughout large swathes of Europe, North Africa and South Asia. The most common bagpipe heard in modern Scottish music is the Great Highland Bagpipe, which was spread by the Highland regiments of the British Army ...
Other modern Galician bagpipe players include Xosé Manuel Budiño and Susana Seivane. Seivane is especially notable as the first major female player, paving the way for many more women in a previously male-dominated field. Galicia's most popular singers are also mostly female, including Uxía, Sonia Lebedynski and Mercedes Peón.
Bill Taylor is a Scottish and Welsh early harp scholar and performer who has collaborated with pibroch piper Barnaby Brown and violinist Clare Salaman on the recording of bagpipe pibroch arranged for the Clarsach wire harp, lyre, hardanger fiddle, hurdy-gurdy, vielle, bone flute, bagpipes and canntaireachd vocals, released in 2016. [166]
The island's musical traditions also include steelpan, calypso, choral music, as well as an array of bagpipe music played by descendants of Irish and Scottish settlers; the biggest bagpipe band on modern Bermuda is the Bermuda Islands Pipe Band. Bermuda is also the home of one of the most popular Caribbean music groups in the United States, the ...
MacLean is perhaps the best known of these, having written "Caledonia", one of Scotland's most beloved songs. Though perhaps not as popular as some of their Celtic fusion counterparts, traditional Scottish artists are still making music. These include Hebridean singer Julie Fowlis, 'Gaelic supergroup' Dàimh, and Lau.
In the sixteenth and seventeenth centuries the bagpipes had replaced the harp as the most popular instrument in the Highlands. There is also evidence of adoption of the European style fiddle in the Highlands with Martin Martin noting in his A Description of the Western Isles of Scotland (1703) that he knew of eighteen players in Lewis alone. [10]
"Lord Lovat's Lament" is an 18th-century tune for bagpipes associated with an executed Scottish revolutionary nobleman of Clan Fraser. [1] The Lord Lovat of the title is Simon Fraser, 11th Lord Lovat .
The Athole Highlanders Farewell to Loch Katrine is a popular Scottish bagpipe march in 2/4 time composed by William Rose. in the 1890s. It is in the key of A Mixolydian. James Scott Skinner called it "The King of Pipe Marches". [1] It appears in the album The Strathspey King in two of the medleys, namely Bagpipe Marches and the Cradle Song ...