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[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
In his seminal, contemporaneous work, The Hippie Trip, author Lewis Yablonsky notes that those who were most respected in hippie settings were the spiritual leaders, the so-called "high priests" who emerged during that era. [194] One such hippie "high priest" was San Francisco State College instructor Stephen Gaskin. Beginning in 1966, Gaskin's ...
Alto, Isla Vista, 1967–1969 [9]; Berkeley Barb, Berkeley, 1965–1980; Berkeley Tribe, Berkeley, 1969–1972 (split from the Berkeley Barb after staff went on strike); The Black Panther, Oakland
This is a list of books and publications related to the hippie subculture. It includes books written at the time about the counterculture of the 1960s and early 1970s, books that influenced the culture, and books published after its heyday that document or analyze the culture and period.
[7] [8] [9] The Beats adopted the term hip, and early hippies adopted the language and countercultural values of the Beat Generation. Hippies created their own communities, listened to psychedelic music, embraced the sexual revolution, and many used drugs such as marijuana and LSD to explore altered states of consciousness. [10] [11]
"The band's baroque House of Usher apartment on London's Shaftesbury Avenue had witnessed pre-Raphaelite hippy scenes, like Sandy the bass player (of The Deviants and Pink Fairies), Tony the now and again keyboard player, and a young David Bowie, fresh from Beckenham Arts Lab, sunbathing on the roof, taking photos of each other and posing coyly ...
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In the 1960s, elements of the expanding Beat movement were incorporated into the hippie and larger counterculture movements. Neal Cassady, as the driver for Ken Kesey's bus Furthur, was the primary bridge between these two generations. Ginsberg's work also became an integral element of early 1960s hippie culture, in which he actively participated.