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Male-gaze theory also proposes that the male gaze is a psychological "safety valve for homoerotic tensions" among heterosexual men; in genre cinema, the psychological projection of homosexual attraction is sublimated onto the women characters of the story, to distract the spectator of the film story from noticing that homoeroticism is innate to ...
The term "female gaze" was created as a response to the proposed concept of the male gaze as coined by Laura Mulvey. In particular, it is a rebellion against the viewership censored to an only masculine lens and feminine desire regardless of the viewer's gender identity or sexual orientation. [13] In essence, the forced desire of femininity ...
The series has had a lasting influence, and in particular introduced the concept of the male gaze, as part of his analysis of the treatment of the nude in European painting. It soon became popular among feminists , including the British film critic Laura Mulvey , who used it to critique traditional media representations of the female character ...
Though issues of the male gaze, particularly the power relationship between male artist and female model, and the viewer's role as onlooker, are implicit in Manet's painting, Wall updates the theme by positioning the camera at the centre of the work, so that it captures the act of making the image (the scene reflected in the mirror) and, at the ...
The oppositional gaze is a term coined by bell hooks the 1992 essay The Oppositional Gaze: Black Female Spectators that refers to the power of looking. According to hooks, an oppositional gaze is a way that a Black person in a subordinate position communicates their status. hooks' essay is a work of feminist film theory that discusses the male gaze, Michel Foucault, and white feminism in film ...
Creed argues that within horror films, the male gaze is oftentimes the central focus. [4] Mis]conceptions of female sexuality are inherent within the horror genre, as a common motif is that virtuous or "pure" women survive to the end of the film, and women who exhibit sexual behaviour commonly die early into the narrative.
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Besides, Laura Mulvey, who suggested that under the male gaze, woman has become a "passive object". [20] Other than that, Hov, Live, author of "The First Female Performers: Tumblers, Girls, and Mime Actresses", who suggested that "male-gaze" violence is a matter which "considered as universal" of all "theatre and performance", as long as "real ...