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15th Century Female Flemish Dress: A Portfolio of Images, by Hope Greenberg; Women's Clothing in 15th Century Florence; Burgundian wedding c1470, from the Getty; Burgundian women's dress including Images of Burgundian hennins; Men's clothing in 15th century Florence; Glossary of some medieval clothing terms Archived 2016-12-28 at the Wayback ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises.
From about 1720, a bag wig gathered the back hair in a black silk bag. Black ribbons attached to the bag were brought to the front and tied in a bow in a style called a "solitaire". Wide-brimmed hats with brims turned up on three sides into tricornes were worn throughout the era. They were an essential element to the "domino", a stylish costume ...
Arnold, Janet: Patterns of Fashion 1 (cut and construction of women's clothing, 1660–1860), Wace 1964, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 978-0-89676-026-4; Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 978-0-8109-6317-7
Men in particular wanted to wear more fitted clothes to emphasize their body shape. Merchants expanded the market for apparel, and created complementary accessories such as hats, hairnets, bags, and gloves. The widespread use of mirrors, popular in Renaissance interior design and architecture, increased interest in self-image and fashion.
Romanian traditional clothing refers to the national costume worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century.
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