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Verdi's "Pace! Pace, mio Dio", from La Forza del destino, is a later example in the transition from bel canto singing. Messa di voce became less common in the less stylized, speech-like singing of Romantic music of the mid- and late nineteenth century. In the popular music of the West, messa di voce became even less common.
Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
Passaggio (Italian pronunciation: [pasˈsaddʒo]) is a term used in classical singing to describe the transition area between the vocal registers.The passaggi (plural) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a penetrating sound is accessible, but usually only ...
The cavatina " Se vuol ballare" is an aria for bass from the first act of the opera The Marriage of Figaro by Wolfgang Amadeus Mozart.The libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784).
Recitative (/ ˌ r ɛ s ɪ t ə ˈ t iː v /, also known by its Italian name recitativo ([retʃitaˈtiːvo]) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do.
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
Ossia (Italian:) is a musical term for an alternative passage which may be played instead of the original passage. The word ossia comes from the Italian for "alternatively" and was originally spelled o sia, meaning "or be it". [1] Ossia passages are very common in opera and solo-piano works.
Tenore di grazia, also called leggero tenor [a] (graceful, light, and lightweight tenor, respectively), is a lightweight, flexible tenor voice type. [2] [3] The tenor roles written in the early 19th-century Italian operas are invariably leggero tenor roles, especially those by Rossini such as Lindoro in L'italiana in Algeri, Don Ramiro in La Cenerentola, and Almaviva in Il barbiere di Siviglia ...