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New historicism also has something in common with the historical criticism of Hippolyte Taine, who argued that a literary work is less the product of its author's imaginations than the social circumstances of its creation, the three main aspects of which Taine called race, milieu, and moment.
Jane Tompkins (born 1940) is an American literary scholar who has worked on canon formation, feminist literary criticism, and reader response criticism. [1] She has also coined and developed the notion of cultural work in literary studies [2] [3] and contributed to the new historicist form of literary criticism that emerged in the 1980s.
Significantly, Karl Marx's theory of alienation argues that capitalism disrupts traditional relationships between workers and their work. Hegelian historicism is related to his ideas on the means by which human societies progress, specifically the dialectic and his conception of logic as representing the inner essential nature of reality. Hegel ...
Neema Parvini is a British academic, currently a senior fellow at the Centre of Heterodox Studies at the University of Buckingham. [1] He has worked at Richmond, The American International University in London, [2] Brunel University, [3] Royal Holloway, and the University of Surrey.
Ira Wells, University of Toronto Academic Programs director, in his work Fighting Words, [4] seeks a new understanding of what literary naturalism is and why it matters. He countered the accepted view of literary naturalism being concerned with environmental and philosophical determinism and focused on the polemical essence of the genre ...
Harold Aram Veeser (born November 3, 1950) [1] is an American professor of English at City College of New York, best known for his founding role as a theorist of new historicism, in addition to his contributions to the historiography of postcolonial theory.
Much of his work has been "part of a collective project", such as his work as co-editor of the Berkeley-based literary-cultural journal Representations (which he co-founded in 1983), as editor of publications such as the Norton Anthology of English Literature, and as co-author of books such as Practicing New Historicism (2000), which he wrote ...
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis.