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The dance is danced traditionally in a circle, but when a lot of people take part in the dance they usually let it swing around in various wobbles within the circle. The dance in itself only consists in holding each other's hands, while the dancers form a circle, dancing two steps to the left and one to the right without crossing the legs.
An dro songs are part of the repertoire of almost any Breton singer or group, from traditional music such as that of Alan Stivell [3] and Tri Yann's Portraits, [4] to rock music such as the 1998 album La Ouache by Matmatah. Non-Breton singers have included an dro songs on albums including Imeall by Mairéad Ní Mhaonaigh (Altan's vocalist). [5]
It still exists today as a circle dance. [1] The term comes from the Quechua language qhachwa, meaning "round dance", via Spanish. It was also applied to some villancicos to Spanish texts with cachua rhythm, such as two examples in a report submitted to Charles IV of Spain c.1788-1790. [2] It is in rapid unsyncopated 2/4 time.
Performer - movements that are part of a music performance or a performance with music: Sound-producing: musician or actor creating musical sound. Sound-accompanying: dance or other types of movements that are linked to music. Perceiver - movements that are an integral part of music listening: Directly connected: dance, air performance
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
The word carol is derived from the Old French word carole, a circle dance accompanied by singers (in turn derived from the Latin choraula).Carols were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, while others were written to accompany religious mystery plays (such as the "Coventry Carol", written before 1534).
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. [2]
The circle dance is usually performed amongst groups of at least three people and up to several dozen people. Dancers hold each other's hands or each other's waists. They form a circle, a single chain or multiple parallel lines. [3] [4] Kolo requires almost no movement above the waist. The basic steps are easy to learn.