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Fine pottery, for instance, became more frequent; for although glass had been made in London under Elizabeth's patronage, "porselyn" was rare, and even earthenware was not then very general, gold and silver plate making the vessels of the rich, and pewter mugs and platters and wooden trenchers being still those of the poor, while mention is ...
Rustic coffee table with cedar and mountain laurel branches. The rustic furniture movement developed during the mid- to late-1800s. John Gloag in A Short Dictionary Of Furniture says that "chairs and seats, with the framework carved to resemble the branches of trees, were made in the middle years of the 18th century, and there was a popular fashion for this naturalistic rustic furniture" in ...
Chairs had backs fixed to the lower frame of the seat. At the top of the back support of some chairs, there was a sphere with horns imitating a goat's or bull's head. In some seals, chairs are depicted with seats shaped like boxes. The chairs would have been 90 cm high, the seat and the back support would have been 45 cm (18 inches) high.
The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
The entrance hall, double parlors, and dining rooms are significant in that the décor and character is preserved. The unpainted windows and stairway banister have natural wood finishes that have darkened over time. The doors, stairway panels below the railing, and dining room wainscoting have the same 19th century oak graining.
The armchairs chairs of the early Louis XIV style had legs in a form called en gaine or en balustre, which were lavishly decorated with sculpted and often gilded ornaments called godsons, cannelures and feuillages, or leaves. The four legs were connected for support by a cross beam under the chair in the form of an H, which evolved into an X.