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Mohiniyattam is a lasya-dominant dance form. This means that it emphasizes feminine grace and beauty. Trisama: Trisama is the coordination of the three elements of dance: nritta (pure dance), nritya (expressive dance), and natya (drama). Mohiniyattam dancers must be able to coordinate all three elements of dance.
Kanak Rele (11 June 1937 – 22 February 2023) [1] was an Indian dancer, choreographer, and academic best known as an exponent of Mohiniyattam.She was the founder-director of the Nalanda Dance Research Centre and the founder-principal of the Nalanda Nritya Kala Mahavidyalaya in Mumbai.
The word "Mohiniyattam" literally means "dance of the enchantress". [ 9 ] Bharati Shivaji was born in 1948 in the temple town of Kumbakonam , in Tanjavur district of the south Indian state of Tamil Nadu , [ 10 ] and had her early training in Bharatnatyam under Lalita Shastri [ 11 ] and Odissi under Kelucharan Mohapatra . [ 12 ]
Kalamandalam Kallyanikutty Amma (1915 – 1999) was an epoch-making Mohiniyattam danseuse from Kerala in southern India. [1] A native of Thirunavaya in Malappuram district of the state, she was instrumental in resurrecting Mohiniyattam from a dismal, near-extinct state into a mainstream Indian classical dance, rendering it formal structure and ornamentation.
Kalamandalam Kshemavathy (born 1948) is a Mohiniyattam dancer from Thrissur, Kerala.She is an alumna of the Kerala Kalamandalam.She joined the institute when she was ten. After completion of the course, she undertook advanced training in Bharata Natyam under Muthuswamy Pillai and Chitra Visweswaran, and in Kuchipudi under Vempati Chinna Satyam, but chose to remain within the Mohiniyattam traditi
Kerala Natanam (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama.The Indian dancer Guru Gopinath a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of ...
She is a member of the UNESCO International Dance Council, and has conducted her performances for WHO delegates, SAARC delegates, diplomats, Soviet representatives, and others. [2] To explore the depths of Mohiniyattom, she has undertaken extensive research, and re-organized the basic steps, jewellery and costumes worn by Mohiniyattom dancers ...
An example of this dance is the Mohiniyattam of Kerala. [8] There are described to be four forms of the Lasya: Srinkhala, Lata, Pindi, and Bhedyaka. [9] Professor Inayat Khan in his book Munqar Musicar (1912) wrote: "Women and men both perform this dance and there are a number of recognized masters of it in India.