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A Pleasure to Burn: Fahrenheit 451 Stories is a collection of short stories by American writer Ray Bradbury, first published August 17, 2010. A companion to novel Fahrenheit 451 , it was later released under the Harper Perennial imprint of HarperCollins publishing was in 2011.
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This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, and the whole of Ireland, as well as literature in English from former British colonies. It also includes, to some extent, the United States, though the main article for that is American literature.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. [ 1 ] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English .
Upon its release, Fahrenheit 451 was a critical success, albeit with notable dissenters; the novel's subject matter led to its censorship in apartheid South Africa and various schools in the United States. In 1954, Fahrenheit 451 won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal.
Literary fiction is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable artistic merit. [6] Literary fiction is commonly regarded as artistically superior to genre fiction, the latter being a form of commercial fiction written to provide entertainment to a mass audience. [7] [8 ...
Reader-response criticism argues that literature should be viewed as a performing art in which each reader creates their own, possibly unique, text-related performance. The approach avoids subjectivity or essentialism in descriptions produced through its recognition that reading is determined by textual and also cultural constraints. [ 3 ]