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The armchairs chairs of the early Louis XIV style had legs in a form called en gaine or en balustre, which were lavishly decorated with sculpted and often gilded ornaments called godsons, cannelures and feuillages, or leaves. The four legs were connected for support by a cross beam under the chair in the form of an H, which evolved into an X.
The Kimbolton Cabinet was designed as a display object in its own right, and as a mount for the pietra dura plaques. The front panels suggest doors, but they are false: the cabinet is empty inside, with just one door at each end. The box is mounted on four legs. It measures 189 by 182 by 36.5 centimetres (74.4 in × 71.7 in × 14.4 in).
The cabriole leg is the "most recognizable element" of Queen Anne furniture. [12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14]
The legs gradually changed from s-curves to straight, often modeled after Greek or Roman columns, tapering to a point. Common decorations included stylized pine cones, and knotted ribbons. A new type of tall cabinet, the Cartonnier, made its appearance between 1760 and 1765. It took its inspiration from Greek mythology and architecture, with ...
The mid-century-modern cousin to Wayfair, AllModern is the destination for modern and mid-century-inspired furniture such as Danish modular seating, abstract fiber wall hangings and wooden tapered ...
A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies.
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