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Rembrandt Harmenszoon van ... "Rembrandt" is a modification of the spelling of the artist's first name that he introduced in 1633. ... including the full contents of ...
Rembrandt is a Dutch given name of Old Dutch and Old High German origin. Variants are Rembrand and Rembrant. Variants are Rembrand and Rembrant. An old form was Ragemprand with Ragem , Rem (advice) and prand , brand (sword). [ 2 ]
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Self portrait wearing a soft cap: full face, head only: About 1634 B144: 1: Two tramps, a man and a woman: About 1634 B069: 2: Christ driving the moneychangers from the Temple: 1635 B097: 2: The stoning of St.Stephen: 1635 B102: 1: St. Jerome kneeling in prayer, looking down: 1635 B124: 3: The pancake woman: 1635 B129: 1: The quacksalver: 1635 ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Inscribed Rembrandt f. 1634 Bearded Old Man: 1634?? Royal library, the Hague: Inscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634 Jesus and his Disciples: 1634: Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen: 35.7 x 47.8 cm: Teylers Museum, Haarlem: Inscribed Rembrandt ...
Rembrandt was moved by the parable, and he made a variety of drawings, etchings, and paintings on the theme that spanned decades, beginning with a 1636 etching (see Gallery). The Return of the Prodigal Son includes figures not directly related to the parable but seen in some of these earlier works; their identities have been debated.
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...