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Pala della Peste (1631-1632) by Guido Reni. The Pala della Peste (Altarpiece of the Bubonic Plague) or Pallione del Voto is an oil on silk Baroque-style altarpiece by Guido Reni depicts the Madonna and Child in Glory with the Patron Saints of Bologna: Petronius, Francis, Ignatius, Francis Xavier, Proculus of Bologna, and Florian.
The Palm Leaf by William-Adolphe Bouguereau (1825–1905), portrait of an unidentified woman in ancient dress. The palm branch, or palm frond, is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world.
The sastras are made of dried palm leaves from the Corypha lecomtei palm tree or more often from the traeng tree, also known as talipot palm and by its scientific name of corypha umbraculifera. [1] Once cut off from the tree, the leaves are ordered, cleaned, heated, straightened, and tied together in what is known as an olla book or palm-leaf ...
Ola leaf is a palm leaf used for writing in traditional palm-leaf manuscripts and in fortunetelling in Southern India [1] and Sri Lanka. The leaves are from the talipot tree, a type of palm, and fortunes are written on them and read by fortune tellers. [ 2 ]
Archontophoenix alexandrae is a tall, solitary palm growing to a height of 30 m (98 ft) with a trunk up to 30 cm (12 in) diameter, often swollen at the base, and bearing prominent leaf scars. [ 4 ] [ 5 ] The graceful crown has 8 to 10 pinnate , feather-like fronds that measure up to 4.5 m (15 ft) in length, with 60 to 80 leaflets on each side ...
Sabal palmetto grows up to 20 m (80 ft) tall. [8] Starting at half to two-thirds the height, the tree develops into a rounded, costapalmate fan of numerous leaflets.A costapalmate leaf has a definite costa (midrib), unlike the typical palmate or fan leaf, but the leaflets are arranged radially like in a palmate leaf.
Rashi further elucidates based on the Talmud's erudition, that the missing letter vav is to indicate that only a single palm is to be taken. The Talmud also uses this spelling irregularity to suggest according to the opinion of Rabbi Yehudah in the name of Rabbi Tarfon, that the lulav must be bound if its leaves spread away from the spine of ...
Palm-leaf manuscripts are manuscripts made out of dried palm leaves. Palm leaves were used as writing materials in the Indian subcontinent and in Southeast Asia dating back to the 5th century BCE. [1] Their use began in South Asia and spread to other regions, as texts on dried and smoke-treated palm leaves of the Palmyra or talipot palm. [2]
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