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The Long Divorce is a 1951 detective novel by the British writer Edmund Crispin, the eighth in his series featuring the Oxford professor and amateur detective Gervase Fen. [1] It was the penultimate novel in the series, with a gap or more than twenty five years before the next entry The Glimpses of the Moon , although a collection of short ...
The document includes a succinct set of practical guidelines explaining how to write complete, concise and clear manuscripts. [5] It is supplemented with a list for further reading as well as several short appendices (Abstracts; Ambiguity; Cohesion; Ethics; Plurals; Simplicity; Spelling; Text-tables) that present selected issues in greater detail or provide more examples.
The Glimpses of the Moon is a 1977 detective novel by the British writer Edmund Crispin. [1] It was the ninth and last novel in his series featuring Gervase Fen, an Oxford professor and amateur detective. Written from the 1960s onwards [2] on publication it was the first novel in the series to be released since The Long Divorce in 1951.
The final version of an article as copyedited and typeset by the publisher is typically called the version of record. Such publishers sometimes allow certain rights to their authors, including permission to reuse parts of the paper in the author's future work, to distribute a limited number of copies.
Buried for Pleasure is a 1948 detective novel by the British writer Edmund Crispin, the sixth in his series featuring the Oxford professor and amateur detective Gervase Fen. [1] As with the rest of the Fen novels, a complex Golden Age -style mystery is combined with elements of farce . [ 2 ]
Standard manuscript format is a formatting style for manuscripts of short stories, novels, poems and other literary works submitted by authors to publishers.Even with the advent of desktop publishing, making it possible for anyone to prepare text that appears professionally typeset, many publishers still require authors to submit manuscripts within their respective guidelines.
The novel is dedicated to the poet Philip Larkin, Crispin's contemporary at St John's College, Oxford.In chapter 10, tongue-in-cheek reference is made to Larkin, with the mention of an undergraduate essay called "The Influence of Sir Gawain on Arnold's Empedocles on Etna", about which Fen comments: "Good heavens, that must be Larkin: the most indefatigable searcher out of pointless ...
The deadly weapon "senapa" was invented by the author. [2] Early in the novel, the author describes the interior of Sarek and Amanda's home. One of the paintings on the wall is of an icy world with a large, red sun. This seems to be an intentional reference to a painting described in Crispin's first novel, Yesterday's Son.