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M. Greenhalgh, The Survival of Roman Antiquities in the Middle Ages (London, 1989). ( Available online , provided by author) M. Greenhalgh, "Spolia in fortifications: Turkey, Syria and North Africa," in Ideologie e pratiche del reimpiego nell'alto medioevo (Settimane di Studi del Centro Italiano di Studi sull'Alto Medioevo 46), (Spoleto, 1999).
Bands, panels and shaped reserves of intricate mosaic alternate with contrasting bands, guilloches and simple geometric shapes of plain white marble. Pavements and revetments were executed in Cosmatesque technique, columns were inlaid with fillets and bands, and immovable church furnishings like cathedras and ambones were similarly treated.
The column and forum of Arcadius were on the Seventh Hill of Constantinople, also known as the Xerolophos (Greek Ξηρόλοφος). [2] [3] The column's construction was begun after 401 to commemorate Arcadius's triumph over the Goths under the renegade magister militum Gainas in the wars of 399–401. [1]
It was ornamented with Italian-marble columns as well as Pompeiian-style wall panels. [15] [31] A 1910 brochure stated: "The Gentlemen’s Broadway Cafe is a veritable architectural gem. The walls and columns of Italian marble give to this room a richness which is completed by Pompeiian panels of unquestioned merit." [15]
Once Carthage was conquered and the province of Roman Africa was established, the quarries soon became state property and then, under the Principate, imperial property as elsewhere in the empire. The marble was widely used for column shafts and wall and floor coverings in public buildings of cities closest to the coast of the Mediterranean.
The Sleeping Hermaphrodite is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of ...
The lobby of the Macellum was particularly closely connected to the portico of the forum. Two rows of columns rose one above the other with no intermediary level. Hence, the portico appeared more like a facade. [2] The bases for honorific statues, which stood behind each column, are also still in place, but they lack their original marble cladding.
The Column of Marcus Aurelius (Latin: Columna Centenaria Divorum Marci et Faustinae, Italian: Colonna di Marco Aurelio) is a Roman victory column in Piazza Colonna, Rome, Italy. It is a Doric column featuring a spiral relief: it was built in honour of Roman emperor Marcus Aurelius and modeled on Trajan's Column. The Imperial Monument is ...
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