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The Grand Duchy of Luxembourg has submitted films for the Academy Award for Best International Feature Film [nb 1] since 1997. The Foreign Language Film award is handed out annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. [3]
The Musée de la cinémathèque (French pronunciation: [myze də la sinematɛk], Cinema Museum), formerly known as Musée du cinéma Henri-Langlois ([myze dy sinema ɑ̃ʁi lɑ̃ɡlwa], Henri Langlois Cinema Museum), is a museum of cinema history located in the Cinémathèque française, 51 rue de Bercy in the 12th arrondissement of Paris.
The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937.
For the 1956 Academy Awards, a competitive Academy Award of Merit, known as the Best Foreign Language Film Award, was created for non-English-speaking films, and has been given annually since. [ 5 ] The French submission is decided annually by the Centre national de la cinématographie , affiliated with the French Ministry of Culture .
On 2 February 2000 in Paris, Philippe Binant realized the first digital cinema projection in Europe, with the DLP Cinema technology developed by Texas Instruments. [ 12 ] [ 13 ] [ 14 ] In 2011 Paris had the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant, [ 33 ] In most downtown Paris movie ...
Austria-Germany-Luxembourg-France coproduction: 14 December [11] The Dam (Le Barrage) Ali Cherri: De Humani Corporis Fabrica: Lucien Castaing-Taylor, Véréna Paravel: France-Switzerland coproduction [12] Driving Madeleine (Une belle course) Christian Carion: France-Belgium coproduction: 21 September [13] Falcon Lake: Charlotte Le Bon
Main entrance. The Cité du Cinéma (French pronunciation: [site dy sinema]) or Studios of Paris is a film studio complex originally supported and founded by the film director and producer Luc Besson, located in Saint-Denis, in the northern suburbs of Paris, in a renovated power plant, commissioned in 1933 to power the Parisian metro. [1]
An American Werewolf in Paris (1997), by Anthony Waller; Anastasia (1997), by Don Bluth and Gary Goldman; Love in Paris (1997), by Anne Goursaud; Metroland (1997), by Philip Saville; Deep Impact (1998), by Mimi Leder; Madeline (1998), by Daisy von Scherler Mayer; The Man in the Iron Mask (1998), by Randall Wallace; The Ninth Gate (1999), by ...
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