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Briseis (/ b r aɪ ˈ s iː ɪ s /; Ancient Greek: Βρισηίς, romanized: Brīsēís, lit. 'daughter of Briseus', pronounced [briːsɛːís] ), also known as Hippodameia ( Ἱπποδάμεια , [hippodámeːa] ), [ 2 ] is a significant character in the Iliad .
In Greek mythology, Briseus (Ancient Greek: Βρισεύς) or Brises (Ancient Greek: Βρίσης) is the father of Briseis (Hippodameia), a maiden captured by the Greeks during the Trojan War, as recorded in the Iliad. [1]
In Greek mythology, Thersites (/ θ ɜːr ˈ s aɪ t iː z /; Ancient Greek: Θερσίτης) [n 1] was a soldier of the Greek army during the Trojan War. Thersites and Achilles, illustration for Shakespeare's 'Troilus & Cressida'.
The plot begins when Greeks led by Achilles sack Lyrnessus, describing the looting and burning of the city, the massacre of its men and the abduction of its women including Briseis, the childless wife of king Mynes. When the women are handed out to the leaders of the Greek raiders, Briseis, as beautiful and of royal blood, is given to Achilles.
Briseis taken away from Achilles, Fourth Style of Pompeian wall painting, from the atrium of the House of the Tragic Poet Detail. Achilles and Briseis is an ancient Roman painting from the 1st-century AD, depicting the scene from the Iliad where the captured Trojan princess and priestess Briseis is taken away from Achilles by the order of Agamemnon.
Reviews for A Thousand Ships were generally positive, with reviewers praising the writing style and the feminist recentering of classic myths.Publishers Weekly called the novel "an enthralling reimagining" and wrote "Haynes shines by twisting common perceptions of the Trojan War and its aftermath in order to capture the women’s experiences". [10]
Chryses attempting to ransom his daughter Chryseis from Agamemnon, Apulian red-figure crater by the Athens 1714 Painter, ca. 360 BC–350 BC, Louvre.. In Greek mythology, Chryses (/ ˈ k r aɪ s iː z /; Greek, Χρύσης Khrýsēs, meaning "golden") was a Trojan priest of Apollo at Chryse, near the city of Troy.
Each image was approximately four feet square, making figures slightly smaller than life-size. The images in the atrium frequently feature seated men and women in movement. The women are usually the focus of the images, undergoing important changes in their lives in famous Greek myths.