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A Thousand and One Nights (Japanese: 千夜一夜物語, Hepburn: Senya Ichiya Monogatari) is a 1969 Japanese adult animated fantasy film directed by Eiichi Yamamoto, conceived by Osamu Tezuka. The film is the first part of Mushi Production's adult-oriented Animerama trilogy, and was followed by Cleopatra (1970) and Belladonna of Sadness (1973).
It is the third and final entry in Mushi Production's adult-oriented Animerama trilogy, following A Thousand and One Nights (1969) and Cleopatra (1970). It follows the story of Jeanne, a peasant woman who makes a faustian deal with the devil after she is raped by the local nobility on the night of her wedding day.
Binbir Gece (English: One Thousand and One Nights) is a Turkish soap opera revolving around four main characters: Sehrazat, Onur, Kerem and Bennu. The story is loosely based on the story of One Thousand and One Nights, better known as Arabian Nights.
One of the sharks ate half of Itachi's bandits while the other shark left with the boatman. However, Dororo and the remaining bandits managed to kill the shark. When the boatman and the second shark returned, Dororo was able to separate the boatman and the shark. Hyakkimaru arrived to stab the shark in one of its eyes, but it escaped.
A Thousand and One Nights is a 1969 Japanese adult anime feature film directed by Eiichi Yamamoto, conceived by Osamu Tezuka. The film is a first part of Mushi Production's Animerama, a series of films aimed at an adult audience. The animated feature Aladdin and His Magic Lamp by Film Jean Image was released in 1970 in France. The story ...
A Thousand and One Nights may refer to: Tausend und eine Nacht (English: Thousand and One Nights) (1871), a waltz composed by Johann Strauss II; A Thousand and One Nights a Tongue-in-Cheek Technicolor American adventure fantasy film; A Thousand and One Nights with Toho, a 1947 black-and-white Japanese film
Illustration of One Thousand and One Nights by Sani ol molk, Iran, 1849–1856. Leitwortstil is "the purposeful repetition of words" in a given literary piece that "usually expresses a motif or theme important to the given story." This device occurs in the One Thousand and One Nights, which binds several tales in a story cycle. The storytellers ...
A Thousand and One Nights is a 1945 tongue-in-cheek American adventure fantasy film set in the Baghdad of the One Thousand and One Nights, directed by Alfred E. Green and starring Evelyn Keyes, Phil Silvers, Adele Jergens and Cornel Wilde. [1]