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Like the double bass, it most frequently has 4 single strings, rather than double courses—and like the double bass, it is most commonly tuned to perfect fourths rather than fifths like most mandolin family instruments: E 1 –A 1 –D 2 –G 2, —the same tuning as a bass guitar. These were made by the Gibson company in the early 20th ...
4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete Seeger) Open string tuning; often played with capo on 3rd fret Banjo, tenor 4 ...
The latter uses four courses of triple strings and is tuned in fourths. A standard mandolin uses four courses of double strings and is tuned in fifths. The Trinidad bandolin is also seen as distinct from the Trinidadian bandol or bandola, which is the tenor instrument in the same family. [ 1 ]
Instrument in the Metropolitan Museum of Arts labeled a gittern in James Tyler's book, The Early Mandolin. The museum catalog, Medieval Art from Private Collections: A Special Exhibition at the Cloisters said that it probably wasn't a gittern but a bowed instrument, possibly a rebec, but one with five strings instead of the rebec's normal three. [9
It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola (C 3-G 3-D 4-A 4), a fifth lower than a mandolin. [1] The mandola, though now rarer, is an ancestor of the mandolin. (The word mandolin means little mandola.)
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
The Spanish precursor to the octavina may have been the smaller-bodied, 12 string Bandurria-like instrument called the "Octavilla", although its use was not as prominent or popular. The name as translated in all versions of the instrument has the prefix of octa- which refers to the tuning of each set of double strings.
The eight-string instrument appears to always have been tuned in fifths, either two octaves below the mandolin: G1 D2 A2 E3, or two octaves below the mandola: C1, G1, D2 A2. There is scant information as to how common this lower tuning (lower-ranging than the orchestral double bass) was, or in what circumstances people used it.
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