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This poem came to be published uncredited as a children's rhyme and hymn in many 19th century magazines and books, sometimes attributed to Ebenezer Cobham Brewer, Daniel Clement Colesworthy, or Frances S. Osgood, but the earliest publications of it clearly are those of Carney.
Remembered for her poem "Little Things", many of her poems were set to music and published in school textbooks, and used in church hymn-books for more than half a century. [1] [2] She died November 1, 1908, in Galesburg, Illinois. Carney had charge of the "Poet's Corner" in the Boston Trumpet.
The Heresy of Paraphrase" is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks 's book The Well-Wrought Urn .
A paraphrase can be introduced with verbum dicendi—a declaratory expression to signal the transition to the paraphrase. For example, in "The author states 'The signal was red,' that is, the train was not allowed to proceed," the that is signals the paraphrase that follows. A paraphrase does not need to accompany a direct quotation. [20]
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The eleventh, famous chapter, entitled "The Heresy of Paraphrase," is a polemic against the use of paraphrase in describing and criticizing a poem. This chapter is followed by two appendices: "Criticism, History, and Critical Relativism" and "The Problem of Belief."
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For example, when learning a row, focus first on driving your elbows behind you rather than every component of the movement (like engaging the biceps muscle, activating the rhomboid, etc ...