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Selmer began creating saxophones in 1922, which became known as the Model 22. [7] The saxophone was a popular choice, as Selmer created the "Balanced action", which was a prototype for modern saxophones, many saxophones today have many of the components from this formation.
Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
King was the first manufacturer other than Selmer to adopt table key mechanisms derived from those of the Balanced Action, in 1949. By the late 1960s, the new style mechanisms were on virtually every new model saxophone being introduced. The legacy mechanisms were continued on some student models into the 1980s.
The Super series was a departure from Selmer's previous lighter sounding, more classically oriented concept that produced the Model 22, Model 26, and Model 28 saxophones, in response to the bolder, richer, and more dynamic American saxophones that gained popularity in the 1920s.
Under Greenleaf's saxophone specialists Allen Loomis and Hugh Loney, C. G. Conn's research and development resulted in the designs of the 6M alto (1931), 10M tenor (1934), and 12M baritone (1930). The 12M baritone was the first saxophone with both bell keys on the right side, followed by the King Voll-True II (1932) and Selmer Balanced Action ...
Selmer "Buescher 400" (1963-ca. 1977): alto, tenor, and baritone non-professional models with large bell, no bell flare ring; nickel-plated keys; left side bell keys on altos and tenors, right rear on baritones; top-pivot neck octave key (some early examples with bottom-pivot); one-piece side B♭ key; white or yellow rollers; "Buescher 400 ...
The saxophone has had a thumb rest since its creation in 1849. [11] [12] The Selmer Mark VI saxophone model from Henri Selmer Paris, which revolutionised the ergonomics of this instrument when it was introduced in 1954, had an adjustable thumb rest made of plastic or metal. [13]
In terms of concert pitches, the alto saxophone's range is from concert D ♭ 3 (the D ♭ below middle C—see Scientific pitch notation) to concert A ♭ 5 (or A 5 on altos with a high F ♯ key). A few rare alto saxophones, like some Selmer Mark VI models, have been keyed to reach a low A, a semitone lower, similar to baritone saxophones. [2 ...
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