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The "Creep" music video was filmed at the Venue, Oxford. For the video, Radiohead performed a free short concert, playing "Creep" several times. They donated proceeds from audience members to the Oxford magazine Curfew , which had covered their early work. [ 21 ]
However, "Creep" gradually gained international radio play, reaching number seven on the UK singles chart after it was reissued in 1993. Radiohead embarked on an aggressive promotional tour in the US supporting Belly and PJ Harvey, followed by a European tour supporting James. In May 1995, a live video, Live at the Astoria (1995), was released ...
Recording Radiohead's second album, The Bends (1995), was stressful, as they felt pressured to release a follow-up to "Creep". [44] Yorke in particular struggled. According to the band's co-manager, Chris Hufford, "Thom became totally confused about what he wanted to do, what he was doing in a band and in his life, and that turned into a ...
Whether you know "Creep" from being a Radiohead fan or from all of the copyright controversies it has been involved in over the years, it is indisputably one of both the band's and Thom Yorke's ...
Radiohead wrote it in response to the request from their record label, EMI, to record a single to repeat the success of "Creep". [11] The caustic lyrics use an iron lung as a metaphor for the way "Creep" had both sustained and constrained them: "This is our new song / Just like the last one / A total waste of time / My iron lung". [ 12 ]
That December, a fan-made video of the performance, Radiohead for Haiti, was released via YouTube and torrent with Radiohead's support and a "pay-what-you-want" link to donate to Oxfam. [148] Radiohead also released the soundboard recording of their 2009 Prague performance for use in a fan-made concert video, Live in Praha. [149]
According to O'Brien, the success of "Creep" meant that Radiohead were not in debt to EMI and so had more freedom on their next album. [7] EMI asked Radiohead to deliver a followup to "Creep" for the American market; however, according to Leckie, Radiohead had disowned "Creep" and did not "think in terms of making hit singles". [3]
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