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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names. Visually, they each have a fixed dot in a three-level icon as displayed in the photo on the right and tables below.
Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s; Tablature#Musette tablature, a form of musical notation; Accordion reed ranks and switches#Register switches, an accordion with at least two sets of middle reeds that are slightly detuned from each other
Musette is a style of French music and dance that became popular in Paris in the 1880s. Musette uses the accordion as main instrument, and often symbolizes the French art of living abroad. Émile Vacher (1883-1969) was the star of the new style. [2] Other popular musette accordionists include Aimable Pluchard, Yvette Horner and André Verchuren.
Ralé-poussé — a Réunionnaise accordion; Riberbula — a jaw harp used by the Corsican people; Serinette — a mechanical musical instrument from the Lorraine region of Grand Est; Urganettu — a Corsican diatonic accordion
The accordion is one of several European inventions of the early 19th century that use free reeds driven by a bellows. An instrument called accordion was first patented in 1829 by Cyrill Demian in Vienna. [notes 4] Demian's instrument bore little resemblance to modern instruments. It only had a left-hand buttonboard, with the right hand simply ...
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
The influence of Antoine Bouscatel led to bal-musette incorporating the Italian accordion, which soon came to dominate the music. This is the period that produced internationally known masters like Léon Chanal , Emile Vacher and Martin Cayla .