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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion, on which a variety of waltzes, polkas, and other dance styles were played.
Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [1] Discography 78s
Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s; Tablature#Musette tablature, a form of musical notation; Accordion reed ranks and switches#Register switches, an accordion with at least two sets of middle reeds that are slightly detuned from each other
Musette is a style of French music and dance that became popular in Paris in the 1880s. Musette uses the accordion as main instrument, and often symbolizes the French art of living abroad. Émile Vacher (1883-1969) was the star of the new style. [2] Other popular musette accordionists include Aimable Pluchard, Yvette Horner and André Verchuren.
A strong and distinctive tremolo sound, found in special musette accordions. Organ 4′ + 16′ A full yet hollow, slightly reedy quality. Harmonium 4′ + 8′ + 16′ Like the oboe combination, but heavier because of the added 16′ reed rank. Bandoneon 8′ + 16′ Characteristic round, mellow accordion sound. Accordion
For over 40 years he provided the accordion accompaniment for the Cliff Adams Singers in their half hour broadcasts on BBC Radio called Sing Something Simple. [3] During a BBC Radio 2 revamp, starting in January 1973, Emblow was asked to form and front a quintet called 'The French Collection' which he led on the French Musette accordion.
Yvette Horner (née Hornère; () 22 September 1922 – () 11 June 2018) was a French accordionist, pianist and composer known for performing with the Tour de France during the 1950s and 1960s. During her 70-year long career, she gave more than two thousand concerts and released around 150 records, selling a total of 30 million copies.
In 1932 Muréna began to play the bandoneón in tango orchestras, including that of Rafael and Eduardo Bianco Canaro, at French clubs including La Boule Noire, Java, The Silhouette, Balajo (rue de Lappe), Pré Catelan and Ciro's. He also toured in South America, Germany, Italy and Switzerland.
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