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In Chinese Buddhism, veneration of the five Buddhas has dispersed from Chinese Esoteric Buddhism into other Chinese Buddhist traditions like Chan Buddhism and Tiantai. They are regularly enshrined in many Chinese Buddhist temples, and regularly invoked in rituals such as the Liberation Rite of Water and Land and the Yoga Flaming Mouth ceremony ...
Tara (Sanskrit: तारा, tārā; Standard Tibetan: སྒྲོལ་མ, dölma), Ārya Tārā (Noble Tara), also known as Jetsün Dölma (Tibetan: rje btsun sgrol ma, meaning: "Venerable Mother of Liberation"), is an important female Buddha in Buddhism, especially revered in Vajrayana Buddhism and Mahayana Buddhism.
Her numerous temples in the Kathmandu Valley are revered as power places in both Newar and Tibetan Buddhism. According to scholar Miranda E. Shaw, Vajrayoginī is "inarguably the supreme deity of the Tantric pantheon. No male Buddha, including her divine consort, Heruka Cakrasaṃvara, approaches her in metaphysical or practical import." [2]
As such, Vajravarahi manifests in the colors of white, yellow, red, green, blue, and black. She is a popular deity in Tibetan Buddhism and in the Nyingma school she is the consort of Hayagriva, the wrathful form of Avalokiteshvara. [4] She is also associated with the Cakrasaṃvara Tantra, where she is paired in yab-yum with the Heruka ...
Ekajati's single eye gazes into unceasing space, a single fang pierces through obstacles, a single breast "nurtures supreme practitioners as [her] children." She is naked, like awareness itself, except for a garment of white clouds and tiger skin around her waist. The tiger skin is the realized siddha's garb, which signifies fearless enlightenment.
According to scriptures, Maitreya will be a successor to the present Buddha, Gautama Buddha. [1] [2] The prophecy of the arrival of Maitreya refers to a time in the future when the dharma will have been forgotten by most on the terrestrial world. This prophecy is found in the canonical literature of all major schools of Buddhism.
In the Indo-Tibetan Buddhism of the Himalayan region, Prajñāpāramitā Devī (Tibetan: ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་མ, abbr. ཤེར་ཕྱིན་མ, Wylie: shes rab kyi pha rol tu phyin ma, abbr. sher phyin ma) is "the great mother of dharmakaya, the female Buddha".
Representations of the five Dhyani Buddhas, who are abstract aspects of Buddhahood rather than Buddhas or gods, have elaborate differences. [6] Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white).