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The Scream is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records.Its innovative combination of angular and serrated guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre.
"Overground" is a song by English rock band Siouxsie and the Banshees. It was originally featured on their debut studio album, The Scream (1978). The band re-recorded the track with elaborate, lush orchestral instrumentation with a flamenco acoustic guitar for its inclusion on the four-track extended play The Thorn (1984).
Siouxsie and the Banshees (/ ˈ s u z i æ n d ð ə ˈ b æ n ʃ i z /, SU-zi-and-the-BAN-shees) were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They were widely influential, both over their contemporaries and later acts.
The discography of Siouxsie and the Banshees, an English rock band, consists of eleven studio albums, three live albums, four compilation albums, one extended play (EP), and thirty singles. This list does not include material recorded by band members with the Creatures or the Glove, or solo work by Siouxsie Sioux and Steven Severin. This page ...
The Thorn features four of the band's tracks recorded with orchestral instrumentation: "Overground" originally appeared on the Banshees' debut album The Scream; "Placebo Effect" was a song from their second album Join Hands, while "Voices" and "Red Over White" were previously released as B-sides from the singles "Hong Kong Garden" and "Israel ...
The Cure and the Banshees spent a lot of time together on the road, and Budgie laughingly recalls, “Siouxsie went up to Robert in the dressing room one day and said, ’Oh, try a bit of lipstick ...
"Mittageisen" is a song by English rock band Siouxsie and the Banshees. It originally appeared on the band's 1978 debut album The Scream as "Metal Postcard (Mittageisen)"; the track was re-recorded in 1979, this time with the lyrics sung in German, and released as a single in West Germany with "Love in a Void" on the b-side.
The Edge cited Siouxsie and the Banshees Mk1 of 1977–1978 among the bands who inspired him for U2's early albums. [29] Producer Steve Lillywhite who recorded The Scream and U2's debut album explained to journalist John Robb: "in terms of the guitar playing...John McKay came before all these people". "He was the innovator".
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