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He may be standing over a serpent, a dragon, or the defeated figure of Satan, whom he sometimes pierces with a lance. [2] The iconography of Michael slaying a serpent goes back to the early 4th century, when Emperor Constantine defeated Licinius at the Battle of Adrianople in 324 AD, not far from the Michaelion, a church dedicated to Archangel ...
Albrecht Dürer considered printmaking to be one of the most important art forms, possibly even equal to the art of painting. [3] His technical skill is well demonstrated in St. Michael Fighting the Dragon. The influence of Dürer's training under Michael Wolgemut on the quality of Dürer's works can be seen in the vast amount of detail in the ...
Saint Michael is an oil painting by the Italian artist Raphael. Also called the Little Saint Michael to distinguish it from a larger, later treatment of the same theme, Saint Michael Vanquishing Satan, it is now in the Louvre in Paris. [1] The work depicts the Archangel Michael in combat
Saint Michael Vanquishing Satan is a painting by the Italian High Renaissance artist Raphael. It shows the archangel Michael standing on top of Satan 's back with his right foot. The painting was commissioned by Pope Leo X and has been located in the Louvre in Paris since 1667.
Saint Anthony Abbot and Michael the Archangel; Saint John the Evangelist and Michael the Archangel; Saint Michael (Beccafumi, 1526-1535) Saint Michael (Giordano) Saint Michael (Raphael) Saint Michael Defeats the Rebel Angels (Beccafumi) San Ruffillo Madonna; Santa Margherita Madonna; Saint Peter Martyr Altarpiece
A painting of the Archangel slaying a serpent became a major art piece at the Michaelion after Constantine defeated Licinius near there in 324. This contributed to the standard iconography that developed of the Archangel Michael as a warrior saint slaying a dragon. [25]
The materials used for The Archangel Michael were tempera and gold leaf on wood panel. The height of the painting is 76 cm (29.92 in) and the width is 54.3 cm (21.37 in). The work of art follows the traditional maniera greca but the style is far more advanced than Byzantine and Cretan art. The painter employs an advanced painting style that ...
Place of creation: Nuremberg : Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 72 (Grav.Bois) Albrecht Dürer: Complete woodcuts, 020; Kurth's Complete Woodcuts of Albrecht Dürer, 116
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