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"Steady Ed" Headrick [7] and Dave Dunipace are two inventors and players who greatly impacted how disc golf is played. In 1976 Headrick formalized the rules of the sport, founded the Disc Golf Association (DGA), the Professional Disc Golf Association (PDGA), [8] the Recreational Disc Golf Association (RDGA) and invented the first formal disc golf target [9] with chains and a basket. [10]
Disc golf is a game based on the rules of golf (referred to by disc golfers as "ball and stick golf"). It uses discs smaller and denser than an ultimate disc. The discs are thrown towards a target, which serves as the "hole". The official targets are metal baskets with hanging chains to catch the discs.
By the late 1960s and early 1970s, modern flying discs had become a popular pastime in the United States, [3] developing into various disciplines such as double disc court, disc guts, ultimate, disc golf, and disc freestyle. [4] At the time, most disc players were overall players, participating in all the various disciplines.
Murray Kaufman (February 14, 1922 – February 21, 1982), professionally known as Murray the K, was an influential New York City rock and roll impresario and disc jockey of the 1950s, '60s and '70s. During the early days of Beatlemania, he frequently referred to himself as the fifth Beatle.
Don Sherwood (September 7, 1925 – November 6, 1983) was an American radio personality. He was a San Francisco, California, disc jockey during the 1950s and 1960s. Billed as "The World's Greatest Disc Jockey," Sherwood spent most of his career hosting a 6-9 a.m. weekday program on KSFO in San Francisco (560 kHz, 5000 watts), which was then owned by the singing cowboy actor Gene Autry.
Biondi gained national attention in the 1950s and 1960s as a disc jockey on leading AM radio stations in Buffalo, New York; Chicago, Illinois; and Los Angeles, California. Besides being among the first to play Elvis Presley, Jerry Lee Lewis, Gene Vincent, and other early rhythm and blues artists, he was also able to meet them.
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In the 1950s and early 1960s it was common practice for record companies to lavish gifts on disc jockeys in exchange for airplay of their songs. This was known as " payola ", and starting in 1959 it was the subject of Congressional hearings condemning the practice.