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Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Op. 8, Trio for Violin, Cello and Piano in G minor (1829) Op. 9, 3 Nocturnes (1830–1831-1832) Nocturne in B ♭ minor; Nocturne in E ♭ major; Nocturne in B major; Op. 10, 12 Études (1829–1832) Étude in C major (1829–1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude ...
In music, Op. 9 stands for Opus number 9. Compositions that are assigned this number include: Adams – Chamber Symphony; Adès – Living Toys; Bartók – Four Dirges; Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole. The use of ...
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His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
These works were published in 1855, and include the Fantaisie-Impromptu, 8 mazurkas, 5 waltzes, 3 polonaises, 3 écossaises, a nocturne, a rondo, and a Marche funèbre. In 1857, 17 of Chopin's Polish songs were published as Op. 74. Various other works have been subsequently published, but have not been given opus numbers.
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