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Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
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Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand.
Op. 26, 2 Polonaises (1834–1836) Polonaise in C ♯ minor; Polonaise in E ♭ minor; Op. 27, 2 Nocturnes (1835–1836) Nocturne in C ♯ minor; Nocturne in D ♭ major; Op. 28, 24 Preludes (1836–1839) Prelude in C major (composed 1839) Prelude in A minor (1838) Prelude in G major (1838–1839) Prelude in E minor (1838) Prelude in D major ...
In music, Op. 9 stands for Opus number 9. Compositions that are assigned this number include: Adams – Chamber Symphony; Adès – Living Toys; Bartók – Four Dirges; Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1
For his part, Schumann not only dedicated his Kreisleriana, Op. 16, to Chopin, [14] he also wrote his own Variations on Chopin's Nocturne in G minor, Op. 15/3 (first published 1981), in between their two meetings; [8] he wrote an imitative section called simply "Chopin" in Carnaval, Op. 9; and he remained a lifelong staunch champion of Chopin's ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
However, at the request of the composer's mother and sisters, Julian Fontana selected 23 unpublished piano pieces and grouped them into eight posthumous opus numbers (Opp. 66–73). These works were published in 1855, and include the Fantaisie-Impromptu , 8 mazurkas, 5 waltzes, 3 polonaises, 3 écossaises, a nocturne, a rondo, and a Marche ...