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In the 1950s the concept was used by linguist Roman Jakobson in his influential article on metaphor and metonymy.Comparing the linguistic evidence to Freud's account of the dream-work, Jakobson saw symbolism as relating to metaphor, condensation, and displacement to metonymy. [7]
Reaction formation is an effective form of disguise, and can be utilized in many forms. For example, "solicitude may be a reaction-formation against cruelty, cleanliness against coprophilia". [1] An analyst might explain a client's unconditional pacifism as a reaction formation against their sadism. In addition,
In the first definitive book on defence mechanisms, The Ego and the Mechanisms of Defence (1936), [7] Anna Freud enumerated the ten defence mechanisms that appear in the works of her father, Sigmund Freud: repression, regression, reaction formation, isolation, undoing, projection, introjection, turning against one's own person, reversal into the opposite, and sublimation or displacement.
With a purpose to apprehend how the ego uses defense mechanisms, it is important to apprehend the defense mechanisms themselves and the way they function. A few defense mechanisms are visible as protecting us from the internal impulses (e.g., repression); other defense mechanisms guard us from external threats (e.g., denial). [19]
In psychology, intellectualization (intellectualisation) is a defense mechanism by which reasoning is used to block confrontation with an unconscious conflict and its associated emotional stress – where thinking is used to avoid feeling. [1] It involves emotionally removing one's self from a stressful event.
This reflects the hypothesis that the same mechanisms are used to understanding stories and real life. In one study, researchers illustrated the common episodic structure between text and film, by asking participants to match a constructed text story to the dialogueless movie The Red Balloon. This task required participants to locate episodes ...
An example of this is the Eiffel Tower, which is a metonym for Paris. Film uses metonyms frequently because they rely on the external to reveal the internal. Another powerful semiotic tool for filmmaking is the use of metaphors, which are defined as a comparison between two things that are unrelated but share some common characteristics.
In the 2015 children's fantasy novel The Secret on the Second Shelf by Jonathan White, the main character Timothy Shaw discovers that both he and his mum have synaesthesia, and this becomes the key defense against the evil race of human-bird shifting Deceivers in the story. The Deceivers have been in an ancient battle with the Seekers - who ...