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The Holy Sonnets were not published during Donne's lifetime. It is thought that Donne circulated these poems amongst friends in manuscript form. For instance, the sonnet "Oh my black soul" survives in no fewer than fifteen manuscript copies, including a miscellany compiled for William Cavendish, 1st Duke of Newcastle-upon-Tyne.
Holy Sonnet VIII – also known by its opening words as If Faithful Souls Be Alike Glorified – is a poem written by John Donne, an English metaphysical poet. It was first published in 1633, two years after the author's death. [1] It is included in the "Holy Sonnets," a collection of nineteen poems written by John Donne.
Regina Hansen Willman set Donne's "First Holy Sonnet" for voice and string trio. In 1945, Benjamin Britten set nine of Donne's Holy Sonnets in his song cycle for voice and piano The Holy Sonnets of John Donne . in 1968, Williametta Spencer used Donne's text for her choral work "At the Round Earth's Imagined Corners."
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
"Holy Sonnet XIV" – also known by its first line as "Batter my heart, three-person'd God" – is a poem written by the English poet John Donne (1572 – 1631). It is a part of a larger series of poems called Holy Sonnets , comprising nineteen poems in total.
Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a
The Village People’s lyricist and lead singer has hit out at the “false assumption” that the band’s biggest hit, “YMCA,” is a “gay anthem.”
The Holy Sonnets of John Donne is a song cycle composed in 1945 by Benjamin Britten for tenor or soprano voice and piano, and published as his Op. 35. [1] It was written for himself and his life-partner, the tenor Peter Pears, and its first performance was by them at the Wigmore Hall, London on 22 November 1945.