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Rimsky-Korsakoffee House, located in the Buckman neighborhood of southeast Portland, Oregon, in the United States, is one of the city's oldest coffeehouses.Named after Russian composer Nikolai Rimsky-Korsakov, the classical music-themed coffeehouse serves coffee and desserts, operating from the former living room of a reportedly haunted 1902 Craftsman-style house.
Nikolai Andreyevich Rimsky-Korsakov [a] [b] (18 March 1844 – 21 June 1908) [c] was a Russian composer, a member of the group of composers known as The Five. [d] He was a master of orchestration.
Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces; Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
Composed between 1894 and 1895, Rimsky-Korsakov based his opera on a short story, "Christmas Eve", from Nikolai Gogol's 1832 collection Evenings on a Farm Near Dikanka. [2] The story had been used as the basis for an opera at least three times previously, including for Tchaikovsky 's Vakula the Smith (1874). [ 3 ]
Song of Scheherazade is a 1947 American musical film directed by Walter Reisch.It tells the story of an imaginary episode in the life of the Russian composer Nikolai Rimsky-Korsakov (Jean-Pierre Aumont), in 1865, when he was a young naval officer on shore leave in Morocco.
May Night (Russian: Майская ночь, romanized: Mayskaya noch listen ⓘ) is a comic opera in three acts, four scenes, by Nikolai Rimsky-Korsakov from a libretto by the composer and is based on Nikolai Gogol's story "May Night, or the Drowned Maiden", from his collection Evenings on a Farm Near Dikanka (1829-1832).
Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5. After finishing his second revision of this work in 1891, he decided to turn it into a dramatic work. [2] The music is highly evocative, and Rimsky-Korsakov's famed powers of orchestration are abundantly evident throughout ...
Rimsky-Korsakov was not able to meet Berlioz due to the French composer's ill health. [15] He was, however, able to hear Berlioz conduct his Symphonie fantastique on December 7, 1867, and Harold en Italie at Berlioz's final concert on February 8, 1868. [15] Rimsky-Korsakov began work on Antar on January 21, between these two concerts. [15]