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The lessons are drawn from Lamentations (Lam. 1, vv.1-2, and Lam. 1, vv.3-5). These famous and notably expressive settings are both a 5 for ATTBB and employ a sophisticatedly imitative texture. Tallis like many other composers included the following text:
Why Fum'th In Sight (Psalm 2, tune known as the third mode melody, see also Fantasia on a Theme of Thomas Tallis) O Come In One To Praise The Lord ; E'en Like The Hunted Hind ; Expend, O Lord, My Plaint ; Why Brag'st In Malice High ; God Grant With Grace (Psalm 67, tune known as Tallis' Canon) Ordinal (Veni Creator)
Thomas Tallis (c. 1505 – 23 November 1585; [n 1] also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
Threni has three movements, corresponding to the three chapters of the Lamentations of Jeremiah from which the texts used in the work are taken. The following is a summary. A detailed musical analysis and the complete Latin text, side by side with the English of the King James version of the Bible, are available in Andrew Kuster's thesis. [16]
The King James Version of Lamentations 1:12 are cited as texts in the English-language oratorio "Messiah" by George Frideric Handel (HWV 56). [38] Edward Gibbons adapted some of the text in his verse anthem How hath ye City sate solitary. [39] Lamentations of Jeremiah the Prophet: musical settings of the Lamentations (Wikipedia).
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The coworker of a newly married woman says she used their recent company holiday party to swindle wedding gifts. After sharing a "sob story" about how she wasn't given enough money from her guests ...
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related to: tallis lamentations of jeremiah text version