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Carving schools balanced producing art for their own people with commercial works, with many of the most successful being Te Arawa (Ngāti Whakaue, Ngāti Pikiao and Ngāti Tarāwhai), located near Rotorua, during the tourism boom to the area in the 1870s, with an increased need for carved works such as the model village at Whakarewarewa, and ...
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English: Maori wooden carved statues wearing kahu huruhuru (Maori feather cloaks) and piupiu (traditional Maori skirts), at Te Whai-a-te-Motu meeting house, Mataatua, Ruatahuna. Photograph taken by Albert Percy Godber, circa 1910.
A predominant artform of the Māori people is whakairo, [6] carving, referred to by some as the written language of the Māori. The National Wood Carving school, Te Wānanga Whakairo Rākau o Aotearoa, was opened in 1967 and has since restored and built over 40 whare whakairo around New Zealand.
As a result, today, many Māori have made an attempt to resurge traditional patterns and carvings within mainstream art through programs like the Māori Arts and Crafts Institute. [5] They have made it their mission to preserve traditional toi whakairo, and have opened various programs and classes to pass their traditions to younger generations.
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Taiapa was born at Tikitiki on the East Coast in 1912, one of 14 children of Tāmati Taiapa and Maraea Te Iritawa. [2] [5] In the early 1930s he went to assist his brother Pine, who was a student of carving at a school of Māori arts and crafts that had been established at Ohinemutu in Rotorua in 1927. [6]
Pounamu is esteemed highly by Māori for its beauty, toughness and great hardness; it is used not only for ornaments such as hei-tiki and ear pendants, but also for carving tools, adzes and weapons. Named varieties include translucent green kahurangi , whitish inanga , semi-transparent kawakawa , and tangiwai or bowenite.