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Some songs make use of both the melody and elements of the lyrics of "Battle Hymn of the Republic", either in tribute or as a parody: "Marching Song of the First Arkansas" is a Civil War–era song that has a similar lyrical structure to "Battle Hymn of the Republic
"The Battle Hymn of the Republic, Updated" (otherwise known as "The Battle Hymn of the Republic (Brought Down to Date)") was written in 1900 [1] by Mark Twain, as a parody of American imperialism, in the wake of the Philippine–American War. It is written in the same tune and cadence as the original "Battle Hymn of the Republic" by Julia Ward ...
The tune was later also used for "The Battle Hymn of the Republic" (written in November 1861, published in February 1862; this song was directly inspired by "John Brown's Body"), "Marching Song of the First Arkansas", "The Battle Hymn of Cooperation", "Bummers, Come and Meet Us" (see facsimile), and many other related texts and parodies during ...
Julia Ward Howe (/ h aʊ / HOW; [1] May 27, 1819 – October 17, 1910) was an American author and poet, known for writing the "Battle Hymn of the Republic" as new lyrics to an existing song, and the original 1870 pacifist Mothers' Day Proclamation. She was also an advocate for abolitionism and a social activist, particularly for women's suffrage.
The melody of "Glory, Glory" is the same as that of "Say Brothers Will You Meet Us," "John Brown's Body," and "Battle Hymn of the Republic." [1] The song was arranged for the University of Georgia Band by member, and later Department of Music chair, Hugh Hodgson in 1915.
After Union forces began using "Battle Hymn of the Republic" as a rallying song in 1861, Halphim wrote "God Save The South" to inspire Confederate soldiers with the thought that God would be with them. [2] It was the first song published in the Confederate States—specifically, in New Orleans, Louisiana—since the Ordinance of Secession. [1]
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The chorus mimics the chorus in The Battle Hymn of the Republic, replacing the lyrics "Glory, glory, hallelujah! His truth is marching on." with "Gory, gory, what a hell of a way to die! He ain't gonna jump no more." [2] [3] The song is a cautionary tale on the dangers of improper preparation for a parachute jump. [4]