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One who idolizes Shakespeare is known as a bardolator. The term bardolatry, derived from Shakespeare's sobriquet "the Bard of Avon" and the Greek word latria "worship" (as in idolatry, worship of idols), was coined by George Bernard Shaw in the preface to his collection Three Plays for Puritans published in 1901.
The Bard (1778) by Benjamin West. In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities.
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
William Shakespeare himself worked in an open-air theater, and countless theater companies have followed his lead, staging the bard’s immortal plays in city parks or on the lawns outside their ...
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble, and hence an association was made ...
William Shakespeare (1564–1616), the Bard of Avon or the Bard; Robert Burns (1759–1796), the Bard of Ayrshire or the Bard; Rabindranath Tagore (1861–1941), the Bard of Bengal; John Cooper Clarke (born 1949), the Bard of Salford; Richard Llwyd (1752–1835), the Bard of Snowdon; Thomas Rowley (poet) (1721–1796), the Bard of the Green ...
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Published by Simon & Schuster under the full title Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature, the book contains interviews with various Shakespeare scholars, including Stanley Wells, Alexander Waugh, Marjorie Garber, Stephen Greenblatt, Ros Barber, Michael Witmore and Mark Rylance.