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Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
Oedipus is the king of Thebes, husband of Jocasta, and he is the supposed son of king Polybus of Corinth. He is the main protagonist of the play. Jocasta is the widow of the former king Laius, wife of Oedipus and sister of Creon. Creon is Jocasta's brother, and the chief aid to Oedipus in Thebes.
Oedipus the King, the most famous of the three, was written around 429 BC at the midpoint of Sophocles's career. [Notes 1] Oedipus at Colonus, the second of the three plays chronologically, was actually Sophocles's last play and was performed in 401 BC, after Sophocles's death. [36] There are nineteen surviving plays attributed to Euripides.
Sophocles' masterpiece has been reimagined in an adventurous production in American Sign Language and spoken English.
His first translation was of the poetry of Bacchylides, publishing a complete set in 1961. In the 1970s, Fagles began translating much Greek drama , beginning with Aeschylus 's The Oresteia . He went on to publish translations of Sophocles 's three Theban plays (1982), Homer's Iliad (1990) and Odyssey (1996), and Virgil 's Aeneid (2006).
Dudley Fitts c. 1965. Dudley Fitts (April 28, 1903 – July 10, 1968) was an American teacher, critic, poet, and translator. [1] He was born in Boston, Massachusetts, and attended Harvard University, where he edited the Harvard Advocate.
Robert Stuart Fitzgerald (12 October 1910 – 16 January 1985) was an American poet, literary critic and translator whose renderings of the Greek classics "became standard works for a generation of scholars and students". [1]
Oedipus gradually established an image of superior intelligence. The Oedipodea may be a reference for the Oedipus Rex. The evolution of the image of Oedipus and Sphinx also reflects the face of Greek society at that time. To say, in the era of tragedy, civil society may put forward higher demands on the knowledge of the king rather than the force.