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In the early 1970s the Meserete Kristos Church Choir was established. Some from Tsion Choir from Mulu Wongel joined the newly established choir and Meserete Kristos continued developing songs in Ethiopian languages. During these early years, other groups like Bethel singers also produced Ethiopian gospel songs.
Ethiopian liturgical chants are based on both written and oral sources, [13] but the isolation of Ethiopia and the lack of source material make it difficult to reconstruct the exact history of Ethiopian church music. [8] The musical notation (melekket) used for the chants, is not a typical notational system since it does not represent pitch or ...
Monastic tradition ascribes the gospel books to Saint Abba Garima, said to have arrived in Ethiopia in 494. [3] Abba Garima is one of the Nine Saints traditionally said to have come from Rome, and to have Christianized the rural populations of the ancient Ethiopian kingdom of Axum in the sixth century; and the monks regard the Gospels less as significant antiquities than as sacred relics of ...
In addition to this, the Orthodox Tewahedo Old Testament includes the Prayer of Manasseh, 3 Ezra, and 4 Ezra, which also appear in the canons of other Christian traditions. Unique to the Orthodox Tewahedo canon are the Paralipomena of Jeremiah (4 Baruch), Jubilees , Enoch , and the three books of Meqabyan .
Saint Yared (Ge'ez: ቅዱስ ያሬድ; 25 April 505 – 20 May 571) [2] [3] [4] was an Aksumite composer in the 6th century. Often credited with being the forerunner of traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church.
The Book of Deggua (Ge'ez: መፅሃፈ ድጓ, De'guaa, means "lamentation") is a hymnary guideline of the Ethiopian and Eritrean Orthodox Tewahedo Churches written by the 6th-century composer Yared. The great Deggua is called Mahlete Yared (treasury). Saint Yared singing before Gebre Meskel, king of Axum
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Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .