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In 2003, a retrospective of his work, "Not a Camera: the Unique Vision of Stephen Wiltshire", was held in the Orleans House gallery in Twickenham, London. [9] In May 2005 Wiltshire produced his longest ever panoramic memory drawing of Tokyo on a 32.8-foot-long (10.0 m) canvas within seven days following a helicopter ride over the city.
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Grongar Hill is located in the Welsh county of Carmarthenshire and was the subject of a loco-descriptive poem by John Dyer.Published in two versions in 1726, during the Augustan period, its celebration of the individual experience of the landscape makes it a precursor of Romanticism.
John Constable RA (/ ˈ k ʌ n s t ə b əl, ˈ k ɒ n-/; [1] 11 June 1776 – 31 March 1837) was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting [2] with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of ...
Brazilian landscape with a worker's house [31] c. 1655 Oil on panel, 47 × 62.9 cm: Los Angeles County Museum of Art, Los Angeles: Brazilian landscape with a house under construction [32] c. 1655–1660 Oil on panel, 46 x 70 cm: Mauritshuis, The Hague: Brazilian landscape [33] 1656 Oil on panel, 41 x 59 cm: Frans Hals Museum, Haarlem ...
John Van Alstine was born in 1952 in Gloversville, New York and raised in the Adirondack region of the state. [1] He attended St. Lawrence University in 1970–1971. In 1973, he received a scholarship to attend the Blossom Festival School in Cleveland/Kent, Ohio, where he studied sculpture with Richard Stankiewicz and Richard Hunt. [2]
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The aerial cloudscapes painted by Georgia O'Keeffe in the 1960s and 1970s are a special case. Many of them are not landscapes at all, since they don't show any land. They depict images of clouds viewed from above, suspended in blue sky, with the land below nowhere to be seen; it is the view of clouds regarded at a downward and sideways angle, as from the window of an airplane.
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