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Copying files from an AVCHD camcorder or from removable media can be performed faster than from a tape-based camcorder, because the transfer speed is not limited by realtime playback. Just as editing DVCPRO HD and HDV video once demanded an expensive high-end computer, AVCHD editing software requires powerful machines.
Early Video8 camcorders used mono AFM sound, but this was later made stereo. This cost less than including 8mm's optional digital stereo audio track. Linear audio did have the advantage that (unlike either AFM system) it could be re-recorded without disturbing the video, doing this in 8mm required a deck that supported digital audio.
Micro Cinema Camera: 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60 [35] Blackmagic: Pocket Cinema Camera [32] 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native)
DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV, DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8, and Digital-S. DV has been used primarily for video ...
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Super 8mm film cameras do not need to use the Super 8mm film produced by Kodak, but other film stocks produced by companies such as Fujifilm and independents (in the form of re-packaged film) are compatible. The only difference to the films is the cartridge used to insert them into the camera. All lengths of film sold are of 50 ft (15 m) lengths.
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