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Micro Cinema Camera: 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60 [35] Blackmagic: Pocket Cinema Camera [32] 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native)
Although it is possible to transfer tapes (using the VCR to rerecord the source video as it is played back by the camcorder), the VHS copy would lose some quality compared to the 8mm original. During the 1990s Sony did market a few VHS VCRs that also feature an 8mm deck to allow convenient transfer to VHS. GoldStar also made a similar dual-deck ...
Super 8mm film cameras do not need to use the Super 8mm film produced by Kodak, but other film stocks produced by companies such as Fujifilm and independents (in the form of re-packaged film) are compatible. The only difference to the films is the cartridge used to insert them into the camera. All lengths of film sold are of 50 ft (15 m) lengths.
The camera is capable of shooting and recording with either 60 Hz or 50 Hz scanning rates. The default rate depends on the region where the camera is sold, but the camcorder can be made 50 Hz / 60 Hz switchable for additional fee. [4] Video is recorded to MiniDV cassettes with a maximum record time of 80 minutes.
Although the term “digicam” originated as a syllabic abbreviation for “digital camera”, it is now used primarily to refer to an old compact digital camera or, in other words, a discontinued point-and-shoot camera with a fixed lens. [32] [33] [34] Digicams emphasize portability and ease of use, and they often include a built-in flash. [35]
Nearly all DV camcorders and decks have IEEE 1394 (FireWire, i.LINK) ports for digital video transfer. This is usually a two-way port, so that DV video data can be output to a computer (DV-out), or input from either a computer or another camcorder (DV-in). The DV-in capability makes it possible to copy edited DV video from a computer back onto ...
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