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The biology of romantic love has been explored by such biological sciences as evolutionary psychology, evolutionary biology, anthropology and neuroscience.Specific chemical substances such as oxytocin and dopamine are studied in the context of their roles in producing human experiences, emotions and behaviors that are associated with romantic love.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
We'd come to see the Gottmans because the pair has spent the last 20 years refining a science-based method to build a beautiful love partnership yourself. They reveal it over a two-day, $750-per-pair workshop called "The Art and Science of Love." “It turns out Tolstoy was wrong," John told the crowd in an opening lecture.
The word "love" can have a variety of related but distinct meanings in different contexts. Many other languages use multiple words to express some of the different concepts that in English are denoted as "love"; one example is the plurality of Greek concepts for "love" (agape, eros, philia, storge). [8]
The Romantic movement in literature was preceded by the Enlightenment and succeeded by Realism. The precursors of Romanticism in English poetry go back to the middle of the 18th century, including figures such as Joseph Warton (headmaster at Winchester College) and his brother Thomas Warton, Professor of Poetry at Oxford University. [46]
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
A story of romantic love, esp. one which deals with love in a sentimental or idealized way; a book, film, etc., with a narrative or story of this kind. Also as mass noun: literature of this kind. Overlap is also sometimes found between the above terms, when literary romance also contains a strong love interest.
The 19th-century fantastique literature after 1830 was dominated by the influence of E. T. A. Hoffmann, and then by that of Edgar Allan Poe. French authors such as Jules Barbey d'Aurevilly, Charles Baudelaire, Paul Verlaine and Arthur Rimbaud echoed the dark themes found in the German and English literature. Baudelaire was one of the first ...