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As shown above, a C-major triad (or any chord with three notes) has two inversions: In the first inversion, the lowest note is E – the third of the triad – with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively.
The second inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of the chord are a fourth apart which traditionally qualifies as a dissonance. There is therefore a tendency for movement and resolution. In notation form, it ...
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
4 denotes the second inversion (e.g. I 6 4). Inverted seventh chords are similarly denoted by one or two Arabic numerals describing the most characteristic intervals, namely the interval of a second between the 7th and the root: V 7 is the dominant 7th (e.g. G–B–D–F); V 6 5 is its first inversion (B–D–F–G); V 4
However, if the lowest note (i.e. the bass note) is not the root of the chord, then the chord is said to be an inversion: it is in root position if the lowest note is the root of the chord, it is in first inversion if the lowest note is its third, and it is in second inversion if the lowest note is its fifth. These inversions of a C major triad ...
For instance, if a piano piece had a C major triad in the right hand (C–E–G), with the bass note a G with the left hand, this would be a second inversion C major chord, which would be written G 6 4. If this same C major triad had an E in the bass, it would be a first inversion chord, which would be written E 6
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In major-thirds tuning, chords are inverted by raising notes by three strings on the same frets. The inversions of a C major chord are shown. [76] A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised ...
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