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Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) [3] defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Author Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the ...
Several early examples are variations on the pattern that do not strictly use the "eighth note followed by two sixteenth notes", but nonetheless have been identified as gallops. "Hard Lovin' Man" – Deep Purple (Deep Purple in Rock, 1970) [7] "Immigrant Song" – Led Zeppelin (Led Zeppelin III, 1970) [8]
Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
In 1994, in Vancouver, British Columbia, Canada, 1,322 guitarists gathered to play the world-famous riff all at the same time for a place in the Guinness Book of World Records. [50] On Sunday 3 June 2007, in Kansas City this record was topped with 1,721 guitarists, [ 50 ] and again just 20 days later, in the German city of Leinfelden ...
There is a clear resemblance between the riff and the French song Colin prend sa hotte (published by Christophe Ballard in 1719), whose first five notes are identical. Colin prend sa hotte appears to derive from the lost Kradoudja, an Algerian folk song of the 17th century.
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Other songs from the same period also used the tune. The same notes form the bridge in the "Hot Scotch Rag", written by H. A. Fischler in 1911. [citation needed] An early recording used the seven-note tune at both the beginning and the ending of a humorous 1915 song, by Billy Murray and the American Quartet, called "On the 5:15".
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