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Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
Deborah Anne Tall (March 16, 1951 – October 19, 2006) was an American writer and poet. From 1982 until 2006, she was a professor of literature and writing at Hobart and William Smith Colleges and edited the literary journal, The Seneca Review. [1]
The lyrical and visual objectification of women within hip hop may be a means for men to cope with a lack of normative indicators of heterosexual masculine power and the presence of insecurities associated with self-worth, racial discrimination, and access to various types of resources.
The work hybridizes several prose and poetry styles as it documents Nelson's multifaceted experience with the color blue, and is often referred to as lyric essay or prose poetry. [1] [2] It was written between 2003 and 2006. [3] [4] The book is a philosophical and personal meditation on the color blue, lost love, grief and existential solitude.
Lindsay Melanie builds off this work, writing, "Based on these three stereotypes, the videos present African American women as greedy, dishonest, sex objects, with no respect for themselves or others, including the children under their care. The women in the videos are scorned by men and exist to bring pleasure to them". [19]
[14] The focus of this essay is on that of the Black women throughout history who have created masterpieces from the scraps they were afforded. Black women's potential for creative freedom is stifled by their position in society that places a series of tropes and caricatures onto their being, operating to delegitimize the work they produce.
“I go on too many dates, but I can't make them stay. At least that's what people say, that's what people say. But I keep cruising.” — “Shake It Off”
Citizen: An American Lyric is a 2014 book-length poem [1] and a series of lyric essays by American poet Claudia Rankine. Citizen stretches the conventions of traditional lyric poetry by interweaving several forms of text and media into a collective portrait of racial relations in the United States . [ 2 ]
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