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Osuitok Ipeelee RCA (Inuktitut: ᐅᓱᐃᑐ ᐃᐱᓕ, [1] 23 September 1923 - 2005 [2]) was an Inuk sculptor who lived in Cape Dorset, Nunavut.His sculptures in green soapstone of caribou and birds are particularly valued for their balance and delicacy.
The site consists of over 150 carvings of faces in soapstone. [ 2 ] [ 3 ] It was created by the Dorset people , the culture who inhabited the Canadian eastern Arctic and Greenland beginning approximately 2,200 years ago before disappearing approximately 1,000 years ago, and who inhabited the region prior to the Thule Inuit who arrived ...
Angutitok used soapstone, ivory and whalebone in her art. Some of her sculptures portray scenes from the Bible; she was encouraged by Father Bernie Franzen. She also created sculptures of female figures. [1] In 2002, Canada Post created a Christmas stamp based on her sculpture Mary and Child. [2] [5]
Inuit sculptures had been produced prior to contact with the Western world. They were small-scale and made of ivory. In 1951, James Houston encouraged Inuit in Kinngait to produce stone carvings. [24] It was mostly men who took up carving. Oviloo Tunnillie was one of the few women to work in sculpture and to garner a national reputation. [25]
The McMichaels' personal collection of Inuit stone carvings, and West Coast First Nations wood carvings, masks, and totem poles were donated to the province as a part of the 1965 agreement. [27] By 1981, approximately 42 per cent of works in the permanent collection were works by indigenous Canadian artists. [26]
The Centre includes a Tapestry Studio, a Craft Gallery, and a Print Shop. In spite of its remote location and small population, numerous Inuit from Pangnirtung have successfully marketed their prints, carvings, sculptures, and textile arts, such as woven wall hangings, to southern collectors. Starting in the 1970s, limited edition prints from ...
In 1972, his brother Abraham Anghik Ruben introduced him to stone carving. [2] He also studied books on art. [3] He attributes the impetus behind making his work to art patron Dr. Allan Gonor from North Battleford, Saskatchewan in 1974. Gonor suggested he use stories Piqtoukun collected in his sculpture. [4] Gonor told Piqtoukun:
Inukpuk’s wife, Mary, had a hare-lip, which he depicted in several of his sculptures of mother-and-child. The drilled eyes of his earlier works were eventually replaced by soapstone and ivory inlay; black eyes were made from melted vinyl records. [3] In 1953, Inukpuk began carving green stone.
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