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The actress loves to have a sheer moment when it comes to her formal attire, and she did just that by arriving in a black short-sleeve gown. The dress was intricately detailed, as black lace ...
While a little black dress is certainly a timeless wardrobe classic well worth investing in — it didn’t earth its moniker, the LBD, for nothing! — it’s not necessarily a statement piece.
A little black dress from 1964 worn by Anneke Grönloh at Eurovision 1964. The little black dress (LBD) is a black evening or cocktail dress, cut simply and often quite short. Fashion historians ascribe the origins of the little black dress to the 1920s designs of Coco Chanel. [1]
The styles ranged from having huge sleeves in the 1830s, to off-the-shoulder and with wide flounces in the 1840s, to very low-necked in the 1850s, to having low necklines and short sleeves in the 1860s, to long and lean with a bustle and very short sleeves in the 1870s, to sleeveless, low-necked, and worn with opera gloves in the 1880s, to ...
The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". [9]
This fashion was short-lived (though the bustle would return again in the mid-1880s), and was succeeded by a tight-fitting silhouette with fullness as low as the knees: the cuirass bodice, a form-fitting, long-waisted, boned bodice that reached below the hips, and the princess sheath dress. Sleeves were very tight fitting.
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