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It has played an important role in Islamic art, often serving as a form of religious expression. The term "arabesque" is a French term derived from the Italian word arabesco, meaning "in the Arabic style" [ 12 ] Arabesque patterns can be found in various media, including ceramics, architecture, calligraphy, and textiles.
A religious symbol is an iconic representation intended to represent a specific religion, or a specific concept within a given religion. [ 1 ] Religious symbols have been used in the military in many countries, such as the United States military chaplain symbols .
In Catholic countries, production of religious art continued, and increased during the Counter-Reformation, but Catholic art was brought under much tighter control by the church hierarchy than had been the case before. From the 18th century the number of religious works produced by leading artists declined sharply, though important commissions ...
An icon (from Ancient Greek εἰκών (eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. The most common subjects include Jesus, Mary, saints, and angels.
Egypt's art was religious and symbolic. Given that the culture had a highly centralized power structure and hierarchy, a great deal of art was created to honour the pharaoh, including great monuments. Egyptian art and culture emphasized the religious concept of immortality. Later Egyptian art includes Coptic and Byzantine art.
But other writers were less sympathetic to medieval art and many traditional iconographies considered without adequate scriptural foundation were in effect prohibited (for example the Swoon of the Virgin), as was any inclusion of classical pagan elements in religious art, and almost all nudity, including that of the infant Jesus. [14]
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Religious art was not, however, limited to the monumental decoration of church interiors. One of the most important genres of Byzantine art was the icon, an image of Christ, the Virgin, or a saint, used as an object of veneration in Orthodox churches and private homes alike. Icons were more religious than aesthetic in nature: especially after ...